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  Film Arts Magazine-January/February 2008
 

 
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FEATURES
Misguided Brush Strokes
A conversation with Amir Bar-Lev
By John Turner

The Body Electric
Tracing the bizarre history of a buzzing innovation with filmmakers Emiko Omori and Wendy Slick.
by Laurie Koh

DISPATCHES FROM THE FESTIVAL CIRCUIT
My Soju Runneth Over
Inside the biggest festival in Asia
By Taro Gato

DOCUMENTARY: THE STATE OF THE ART
Assessing Success
Thoughts on documentary’s current heyday
By Kate Chevigny

Stuck in the Middle With You
The rise of vicarious docs
by Michael Fox

Agent of Change
Annie Roney’s soft sell success
by Thomas Logorecci

INDIE TOOKIT
Ask the Documentary Doctor
Strategies for giving investors what they want
by Fernanda Rossi

Director's Chair
How a B-Movie action director forged a profitable path to dollar store distro
by Sara Schieron

Experiments in Cinema
Uncovering the secret histories and questioning the boundaries of art
by Marcia Scott

Show Me the Money
How to form an LLC to protect your film project
by Holly Million

Storytelling
Adapting Fact and Fiction to the Screen
by Lisa Rosenberg

The Cutting Room Law
Don’t bleep with the first amendment: Film Arts Foundation’s day in court
by Jason Schlossberg

Reel Marketing Power
An effective publicity campaign means being ahead of the curve
by Lyla Foggia

Producer's Notebook
The Academy shows little mercy
by Mitchell W. Block

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