Home > Film Arts Magazine >   Release Print Magazine January/February 2007 Issue
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Description   The View Underground concerns itself with filmmakers flying under the radar, not caring a whit about crossover appeal, political correctness, or even about that niche audience ostensibly waiting to swallow their work whole. This is the culture of filmmaking at its most individualistic. Sometimes it produces enduring works of twisted beauty, and sometimes it produces works that are merely twisted. FEATURES A Wolf Among Wolves The voluptuous horror of Ulli Lommel by Elina Shatkin Horror, They Wrote Aspiring screenwriters summon the willies by John Behling Heart of Darkness Filmmaker Stanley Nelson takes a new look at Jim Jones and his temple of doom by Thomas Logoreci Wild Ride Lynn Breedlove’s Godspeed by Amanda Davidson My Terminal Hippy-Fame-Rock Explosionwith Jon Moritsugu Reflecting on an atypical mentorship by Jesse Hawthorne Ficks Good Vibes at the Castro Dispatch from the local festival circuit by Liz Nord The Smut Peddlers of San Francisco Porn cinema as an art form? by Noel Lawrence What Is Crispin Glover? The enigmatic filmmaker explains himself by Truckee Lynch A Child Unchained The making of Paper Angels of the Bell Tower Opera by Mark Mardon INDIE BEAT Ask the Documentary Doctor by Fernanda Rossi Artists’ Television Access Digs In ATA refuses to mellow with age by Dolissa Medina Maximum Revolutions Per Frame New outreach models for social docs by Danielle DiGiacomo Carbon Zero How Sheffield Doc/Fest became the film festival of the future by Lauren Feeney The Cutting Room Law Casting and hiring actors by Jason Schlosberg Introducing Rudolf Frieling SFMOMA’s media arts curator navigates charged spaces by Steven Jenkins The Right Song Brooke Wentz on the fine art of licensing music by Patrick Bowsher

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