Home > Film Arts Magazine >   Release Print Magazine March/April 2007 Issue
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Description   The March/April issue constitutes Film Arts Foundation's valentine to the Bay Area film community. Boasting dozens upon dozens of homegrown events anchored by a few of the country's most visible festivals, San Francisco has slowly but surely evolved into the quintessential festival town. To help you claim your hometown bragging rights, this issue contains a suite of articles on our year-round festival scene, including the San Francisco Bay Area Film Festival Guide, an indispensable list of festivals organized by month with submission dates, contact information, and programming descriptions. Other highlights of March/April include a profile on Slamdance Audience Award-winner Red Without Blue; an interview with Lynn Hershman-Leeson on her politically-charged Strange Culture, which made a splash at Sundance and opened Berlinale; as well as an inside look at the Sundance Institute’s Screenwriters Lab and other opportunities for screenwriters. Plus, read practical articles on European documentary funding, tapping into VOD, hiring directors, and self-distribution. FEATURES Color Me Beautiful Red Without Blue and the Shifting Boundaries of Personal Documentary by Jesse Hawthorne Ficks Chain Reaction Lynn Hershman-Leeson on the Rapid Growth of Strange Culture by Sara Schieron Film is Dead Long Live Film personal essay by Mark Street BAY AREA FILM FESTIVAL FOCUS The Quintessential Festival Town Overdosing on Festivals, or Getting Our Weekly Fix by Michael Fox The Internationalist Graham Leggat Summons His Mojo for SFIFF50 by Michael Read Cinema Asia The San Francisco International Asian American Film Festival at 25 by Frako Loden San Francisco Bay Area Film Festival Guide An Indispensible List of Local Film Festivals by Marcia Scott INDIE BEAT A Writer Runs Through It Inside the Sundance Institute's Screenwriters Lab by Laurie Koh Don't Forget to Write Golden Opportunities for Screenwriters by Natalija Vekic Ask the Documentary Doctor column by Fernanda Rossi The Cutting Room Law Negotiating for the Director's Chair column by Jason Schlosberg The Gatecrashers Bujalski Goes Looking for Audience "Appreciation" column by Arne Johnson The Gadfly He's With the Band: Paul Clipson's Sudden Impact column by Thomas Logoreci European Documentary Funding A Beginner's Guide by Jonathan Goodman Levitt Producer's Notebook: Into the Void by Mitchell Block

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